STONE TEMPLE PILOTS PURPLE SONGS CRACK

STONE TEMPLE PILOTS PURPLE SONGS CRACK

вЂњSour GirlвЂќ was the only STP song to ever crack BillboardвЂ™s Hot 100 singles chart, which makes sense: ItвЂ™s the bandвЂ™s most conventionally pretty hit, and they got Cruel Intentions-era Sarah Michelle Gellar to be in the video. Still, the albumвЂ™s knuckle-dragging opener was always a highlight of STPвЂ™s live shows, Weiland hollering through a megaphone and preening like a sloshed demigod as his bandmates piled on the sludge. Trendmongering 1992 debut Core was Stone Temple PilotsвЂ™ biggest album, but despite its thick selection of rightful rock radio standards, it wasnвЂ™t close to their best. 4, these guys spent a decade kicking serious ass. From the hair-grunge of Core to the raspy psych of Tiny Music to the power-and-finesse brilliance of No. So the omission of popular singles such as вЂњPlushвЂќ and вЂњBig EmptyвЂќ is not an indictment of those songs so much as an acknowledgement of the STP catalogвЂ™s overflowing riches. This is by no means an exhaustive list of worthwhile Stone Temple Pilots music STP recorded several dozen amazing songs in their day, something you might not realize if youвЂ™re only familiar with their radio hits. And while Weiland made some bangers with Velvet Revolver, his work with STP is what will stand the test of time. Their albums spanned the spectrum from hard rock to glam to psych to grunge to pop to jazz to folk, all of it coalescing into a recognizable band identity thanks to the undeniable chemistry of men who sometimes drove each other mad. But WeilandвЂ™s cavernous vocal range and superhuman swagger were crucial components of the bandвЂ™s success - watching him swirl and traipse with reckless abandon was a breathtaking experience - and anyone whoвЂ™s heard his solo albums 12 Bar Blues and вЂњHappyвЂќ In Galoshes realizes he probably played a part in STPвЂ™s stellar songwriting too. If we can agree on these things, can we all finally agree that Stone Temple Pilots are awesome?ДЄ big part of that awesomeness was the expert craftsmanship of Dean and Robert DeLeo and Eric Kretz, the power trio that provided STPвЂ™s musical muscle. Bombast, if itвЂ™s catchy and melodic, is good.

There ought to be some things all rock вЂnвЂ™ roll fans - no matter what subgenre or trend youвЂ™re currently aligned with - can agree on: Mixing Black Sabbath with the Beatles and glam-era Bowie is good. Club in 2008, rock critic Steven Hyden made a strong case for STPвЂ™s excellence, beginning with this opening blast: (Yes, even Shangri-LA DEE DA!) Writing for The A.V. But their discography is littered with genius, and each one of their first five studio albums holds up. ItвЂ™s great music! For a variety of good and bad reasons, Stone Temple Pilots never quite got their due as one of the finest rock bands of the вЂ™90s, something I explored when revisiting 1994вЂ™s Purple upon its 20th anniversary.

Now heвЂ™s finally gone, and all we have left is his music. On the other hand, I had come to think of Weiland as Mick Jagger and Keith Richards rolled up into a single person, one of those freaks of nature who would outlive all of us no matter how badly he treated himself. In one sense, itвЂ™s amazing that a man who lived that hard managed to live this long. Scott Weiland died last night at the age of 48, the end of a life defined by rock вЂnвЂ™ roll excess at its most triumphant and destructive.

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